A Rose for Emily is a story that handles a women’s sentimental disease caused by seclusion. Emily Grierson looses her moral compass, and her trace of truth, her inability to be enjoyed, her desire to be considered as someone crucial, was never achieved. The author shows plans of development; using characterization, importance, and setting. This is a very symbolic and animatic story. William Faulkner explains his views of compassion towards Emily in the story when he shows that Emily had an emotional violent upbringing with her father.
In addition, we see the historical fiction and setting which reflects the racist times that was given up the past. A Rose of Emily is likewise a sign of a gothic, and horror story. Her abusive relationship, that also suffers betrayal by her dad, which gives Emily is a character, in which Faulkner shows us that she becomes more social isolated by the time. She likewise becomes mentally ill, and her psychological problem takes control of everybody that’s around her.
Emily Grierson the Protagonist, labels her as the very first speaker of the story is shown to suffer from highly sentimental disease, a very mentally frustrated character, her desiring aspirations to discover love, her fantasy to be enjoyed, and her decision to not be humiliated by Homer Barron (Antagonist), triggers her outright denial in accepting truth, which makes her to do wicked deeds throughout the ending of the story. Homer Barron was her only sense of normality, the only person who was keeping her sane, and alive.
Faulkner provides us a surprise of Emily’s rounded character, for instance, her psychological disease bring us to be amazed of her fete and vibrant character behavior as quoted, “What was left of him, decayed underneath what was left of the nightshirt, had actually become inextricable from the bed in which he lay; and upon him and upon the pillow beside him lay that even finish of the patient and biding dust. Then we saw that in the second pillow was the imprint of a head.
One of us lifted something from it, and leaning forward, that faint and unnoticeable dust dry and acrid in the nostrils, we saw a long strand of iron-gray hair” (148 ). Faulkner does not actually state that Emily slept with the unhealthy guy, but he gives the hint in the quote above, her psychological health problem is more than we have expected. We view the interior monologue of Emily’s mind when she has prepared to get the “arsenic” (144 ), “I want some toxin she said (144 ),” Her sneaky objectives, her psychological inspiration to have her only love for herself which was Homer Barron and nobody else.
Homer Barron is referred to as a mafia guy, his cocky, self-loathing personality of using a “hat cocked and a cigar in his teeth, with reins and a whip and a yellow glove (145 ).” Minute of crisis appears when Homer Barron doesn’t seem to accompany Emily’s strategy, his lack of dedication. Her search, and her fascination to be loved, and not be humiliated by the rest of the town made her be a fallen monument. The Rose of Emily is a story with many symbols of a character who struggles with emotional sickness. The rose plays a substantial sign to the story.
However, the symbol of the rose is an enigma or a puzzle to create. Falkner leaves us with the thought of what the rose can potentially indicate. Although, to me the increased signifies Emily’s monolith gradually falling, in this case her monolith would be her lost of self, her lost of touch with the rest of the town. How she gradually ends up being more socially disconnected, and is closed in her lonesome cocoon. Each roman numeral represents her low level of incompleteness which represents every rose petal depicted, every episode of sorrow and sorrow.
Emily’s house symbolizes her mindset, it was when great, however then becomes the town most “persistent and coquettish decay above the cotton wagons and the fuel pumps-an eyesore amongst eyesores (140 )” The breakage and freedom of her flexibility held much images through her hair cut. The toxin represented vengeance versus Homer. The story reveals archetypes of her emotional state of rejection for example, “she informed them that her daddy was not dead (143 )”. She denies her dad’s death, when clearly doctors and ministers were attempting to encourage her to that she required to get rid of his body.
This is a fantastic meaning of her psychological accessory to her dad, and how it affected her frame of mind. The compassion and sadness sets the environment of Emily’s fallen monolith, her emotional breakage into unhappiness. The setting of “1894” offers the historic fiction and the covering action of the racist times in America, “No Negro woman need to appear on the streets without an apron (140 )” At this period America still had a racial mind set, and where the abundant were treated differently than the poor.
We see the atmosphere of her as soon as upon a time quite home, described as “squarish frame home that had as soon as been white, decorated with cupolas and spices and scrolled terraces in the heavily lightsome style of the seventies (140 ).” In addition, this quote also demonstrates regional color fiction of the rural areas in southern America, and Faulkner’s regionalism in these specific locations called Yoknapatawpha County, and Oxford, Mississippi. I think this story can be placed in a different time, maybe like today’s modern society. What are dealing now with racial classes, such as, middle class, rich, or bad is similar to the story timing.
I do not think America has actually changed in that aspect. Were still on who’s effective and whose helpless type video game. Besides, as for Emily’s psychiatric illness, a similar story is not that uncommon anymore, with so many mentally ill people today, it is not surprising. The setting in the story forms up Emily’s abusive upbringing, and gives us sense of connection to her despairing grief. Overall, Emily’s desires to be loved were entrusted to an explosive resolution because she was never mentally pleased from her father or Homers absence of dedication. Her failure to be liked impacted her truly rejection to face reality.