A Rose for Emily– Prose Analysis
Essay 1– Prose Analysis This paragraph is discovered near the end of the short story, “A Rose for Emily,” by William Faulkner. In this excerpt, we are thrust into the funeral service of Emily, and the effect of her death upon the townsfolk. Emily, a reclusive and apparently mentally disturbed spinster, has been a discussed figure in the town for the majority of her years. Her life and death have been all about relationships– both of the ones she had, as well of the ones she did not have.
We learned that, although her relationships with the townsfolk were at times both cordial and strained, they pertained to her funeral service in order to pay a kind of tribute to an item of their pity for, ironically, another relationship she was never able to skilled. The stylistic device of paradox does, in truth, weigh heavily within this single passage, through the whole town concerning the funeral of a divisive figure; the face of Emily’s dad looming over her death as his personality did throughout her life; and of the old males who would have courted her had they been able to do so.
Faulkner uses a number of stylistic gadgets in creating this passage. Foremost is his use of metaphor in describing Emily’s dad’s “crayon face … musing exceptionally.” This is emblematic of Emily’s unsolved relationship with her daddy, and how her immature impression of– and impressionability to– his aggressive personality coloured both her life and her death. Her life’s desire to find a true love was never ever solved due to his early influence and disturbance
Faulkner also uses onomatopoeia, although in an indirect, metaphorical manner. In this circumstances, where he describes “the ladies sibilant and macabre,” it is left approximately the reader, with the element of sibilance foremost in mind, to imagine what words the women may have spoken, words as would normally be used in a funeral setting, such as: acknowledgements, ideas, prayers, sad, sympathy, genuine, missed and true blessing– all words which can be envisioned being spoken in a hushed and silent setting.
Through this approach, Faulkner reveals a true genius in not being obvious with his craft, instead making sure that his choice of words produce a true photo in the mind’s eye, with the reader immediately developing a dialogue among the girls. This passage, although several lines in length, consists of only 2 sentences. The first is really quick, consisting of only 7 words. As this sentence relates to Emily’s cousins, it is also reflective of her relationship with her prolonged household: it exists, however to a degree that is barely worth mentioning.
The second sentence is far lengthier, relates to the townsfolk and her father, and as such works in elaborating on her tortuous relationships with these individuals. It is a compound sentence, handling many discrete ideas simultaneously. There is the funeral service and the compulsive, socially driven reaction of the townsfolk to all participate in. Next, there is the element of progress (“purchased flowers,” where when individuals would have brought cut flowers from their own gardens) as compared to Emily’s passing being representative of a bygone age.
The very old males continue this style of a bygone period, although they remained in fact older than Emily (“… as if she had been a contemporary of theirs … “), and are likewise reflective of Emily’s stopped working efforts at relationships with guys, in addition to the infinite influence of her father upon her life. And, obviously, there is the aspect of time, which pervades the whole story, and is represented at the very end by the old guys, emblems of a long left period who puzzle the long ago past with the present, and for whom the most recent years are a “narrow bottle-neck. The total building and construction of this quick passage from the story well represents the detailed manner in which Faulkner was able to communicate relatively diverging aspects, yet which ultimately converge to fantastic impact. Works Cited Faulkner, William. “A Rose for Emily.” The Harbrace Anthology of Short Fiction, fourth Ed. Ed. Jon C. Stott, et al. Toronto: Nelson, 2006.