Alfonso Villarreal Mrs. Bohn World Literature Honors April 9, 2012 Examining the Disaster of Dr. Faustus The battle between good and wicked is perhaps the most substantial style in the play.
This battle is most apparent within the main character Faustus. He is torn and undecided about whether he must repent for sinning and return to God or follow through with the contract he signed with Lucifer. His internal struggle lasts almost the whole play, as part of him wants to be excellent serving God while the other part looks for the power Mephastophilis assures. Metaphastophilis himself has blended intentions and signifies this style.
On one hand he pursues Faustus’ soul, planning to bring it to hell while on the other he convinces Faustus to decline the contract since of the scaries he would come across in hell. This style, mainly existing within Faustus, provides interest and intrigue as to question if whether or not the highly intellectual physician will lastly come to his senses and repent. The play would be substantially less satisfying if it followed a less intriguing male, a guy who morally feels no regret in giving up any opportunity of a positive afterlife for short-lived powers. This indecision within Faustus also offers the central drama of the play.
The battle in between great and evil is best signified by the Good and Evil Angels. Each angel had a hard time to pull Faustus towards its side as Faustus himself had a hard time between his human reason or logic and his lustful desire for power. Good and evil battle again when Faustus experiences the Old Guy in the last scene. The Old Male is another symbol which changes the Excellent and Evil Angels from earlier scenes. He persuades Faustus to repent and renounce his powers while it’s not too late. Marlowe utilizes mythological allusions in a rather creative method this particular work.
They provide the audience with a more fascinating play and extends the limitations of the play’s subject if even somewhat. Among the most significant allusions was one carried out in Faustus’ check out to Charles V’s court. Charles V pleads Faustus to perform sorcery for him, an allusion of Alexander the Great and his fan. Faustus performs a simple trick and Alexander unexpectedly appears prior to the emperor’s eyes. The purpose of this allusion is to reveal another terrific feat performed by Faustus and one that definitely brings interest to one of the most effective guys worldwide.
Marlowe remained in some elements a Renaissance writer and his work was an item of the age. He uses these allusions in the play to brighten the transition between old beliefs and new ideas and understanding. This transition acted as among the necessary elements in the motion and Marlowe uses it with ease in his fantastic work. “What art thou, Faustus, but a guy condemned to pass away?” (IV, v, 25) The quote above addresses lots of vital elements of the play. One of these aspects is the battle in between great and wicked, a style represented most by Faustus and his indecision. This quote indicates this theme of the play more than any other.
Yes, Faustus is speaking his most troubled ideas. What is he if not a fool who sold his soul for a short-lived power just to die in an eternal fire? Again it appears that he has problem with his 2 most important principles, his desire for power and his reason. He considers whether he made the best option. The reality that he even battles with this is ironic at the very least. One of the most intelligent men of his time is too blind to see the scary in Hell. This quote is also significant because it represents his awful fall as his corrupt morality avoids him from repenting in time and ultimately dooms him to an eternity in Hell.