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Analyzing the Tragedy of Dr. Faustus


Examining the Disaster of Dr. Faustus

Alfonso Villarreal Mrs. Bohn World Literature Formality April 9, 2012 Analyzing the Disaster of Dr. Faustus The struggle between great and evil is probably the most considerable style in the play. This struggle is most obvious within the primary character Faustus. He is torn and unsure about whether or not he must repent for sinning and go back to God or follow through with the agreement he signed with Lucifer. His internal battle lasts practically the entire play, as part of him wants to be great serving God while the other part looks for the power Mephastophilis promises. Metaphastophilis himself has blended intentions and symbolizes this theme.

On one hand he pursues Faustus’ soul, meaning to carry it to hell while on the other he persuades Faustus to turn down the contract due to the fact that of the horrors he would experience in hell. This theme, mostly existing within Faustus, offers interest and intrigue as to question if whether or not the highly intellectual physician will finally come to his senses and repent. The play would be significantly less enjoyable if it followed a less fascinating male, a man who morally feels no regret in quiting any chance of a positive afterlife for short-term powers. This indecision within Faustus likewise supplies the main drama of the play.

The battle in between great and evil is best symbolized by the Excellent and Evil Angels. Each angel struggled to pull Faustus towards its side as Faustus himself had a hard time in between his human factor or reasoning and his lustful desire for power. Good and wicked battle once again when Faustus experiences the Old Guy in the last scene. The Old Male is another symbol which changes the Excellent and Evil Angels from earlier scenes. He encourages Faustus to repent and renounce his powers while it’s not too late. Marlowe utilizes mythological allusions in a rather creative way in this particular work.

They provide the audience with a more fascinating play and extends the limitations of the play’s subject if even somewhat. One of the most significant allusions was one performed in Faustus’ see to Charles V’s court. Charles V pleads Faustus to carry out sorcery for him, an allusion of Alexander the Great and his enthusiast. Faustus performs a simple technique and Alexander unexpectedly appears before the emperor’s eyes. The function of this allusion is to reveal another terrific feat carried out by Faustus and one that certainly brings interest to one of the most effective males worldwide.

Marlowe was in some elements a Renaissance writer and his work was a product of the age. He uses these allusions in the play to brighten the transition between old beliefs and originalities and knowledge. This transition worked as one of the necessary elements in the movement and Marlowe uses it with ease in his great work. “What art thou, Faustus, but a male condemned to pass away?” (IV, v, 25) The quote above addresses many important elements of the play. Among these aspects is the battle between great and evil, a theme represented most by Faustus and his indecision. This quote indicates this theme of the play more than any other.

Yes, Faustus is speaking his most struggling ideas. What is he if not a fool who offered his soul for a short-lived power only to perish in an eternal fire? Again it is evident that he struggles with his two most important concepts, his desire for power and his factor. He ponders whether or not he made the best choice. The reality that he even has problem with this is paradoxical at the minimum. One of the most smart guys of his time is too blind to see the scary in Hell. This quote is also considerable in that it represents his awful fall as his corrupt morality avoids him from repenting in time and eventually dooms him to an eternity in Hell.

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