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Compare the ways in which Othello and Gatsby are presented when they are first introduced to the reader


Compare the methods which Othello and Gatsby exist when they are first presented to the reader

Lujayn Hourani Compare the ways in which Othello and Gatsby exist when they are very first presented to the reader. (Focus on chapters 3 & & 4 of Gatsby and Act 1 Sc 2 & & 3 in Othello.) Upon checking out Shakespeare’s “Othello” and Fitzgerald’s “The Fantastic Gatsby”, lots of resemblances can be determined between the protagonists Othello and Jay Gatsby. These two pieces of literature (Although composed in various amount of times, where the dominant themes in literature varied) positioned questions of love and relationships, relating to the society in which the lead character was residing in.

Themes such as race, ideals of love, and social class were checked out with making use of Othello and Gatsby. These principles are at first evident in both pieces of literature, and present the audience to characters really strongly in order to highlight their development throughout the plots. Although the 2 pieces of literature were written in varying amount of times, both Shakespeare and Fitzgerald select to reveal the significance of social significance, something that to this day, still has importance. In order to stress the significance of social status, both characters are introduced by ther characters, giving the audience an outside view of the lead characters and permitting us to produce pictures of the characters based on the perceptions of others. Othello is very first introduced through a conversation in between Iago and Roderigo, offering the preliminary idea that Othello is a character hated by the “ominous” character and for that reason, one to empathize with. The discussion likewise is written to recommend that the audience needs to not be listening to it, suggesting its secrecy and again revealing Othello as an innocent character being plotted against. He is explained juxtaposingly, revealing that he holds a high status in the armed force of Venice, however egarded using unrefined language such as an “old black ram” and “moor”, demonstrating how some view him. Jay Gatsby is likewise portrayed in a similar method, being presented into conversations by other people and talked about in an overstated manor, providing an impractical initial view of him. Gatsby is very first introduced to readers by the character of Jordan Baker; mentioning that Nick Carraway “should know Gatsby”, highlighting him as a social, well recognized character by all of New york city. We later on hear conversations about Gatsby that highlight how others viewed him, earning of reports that distributed concerning Jay Gatsby and his strange background. They had heard that “he eliminated a male as soon as” and “was a German spy throughout the war”, this ‘reality’ was then opposed when it was said “he was in the American army during the war”. The rumor that he had eliminated a man appears once again, stating that he had actually done so because the male “found out that he was nephew to Von Hinderburg”. These allegations highlight the importance family and credibility, that made up somebody’s social image in allure age, throughout his period of time there was a strong conflict in between the remnants of the vintage and the progress of the new one. Another resemblance between Othello and Gatsby is their strong ability to like, they are both written to be very dedicated to their females; something that we later on discover to be a fatal flaw in their characters. The way in which Jordan explains Daisy and Gatsby’s relationship symbolizes his obsession with her. He is said to have “took a look at her … in such a way that every young girl wishes to be taken a look at sometime” highlighting the romance in their relationship due to the fairytale-like image the reader is provided.

The truth that it is the relationship that a young girl imagine recommends him as a prince Captivating– esque character. She later on elaborates on this statement stating that “because it appeared romantic … she remembered the occurrence since.” Again making it appear like a fairytale since of how unforgettable the story was. The love in between Othello and Desdemona is likewise exaggerated and idealized by Othello, recommending how impractical it is and doomed from the beginning. Othello uses really antiquated anguage when explaining Desdemona, this makes him sound educated as well as dramatic, and utilizing sentences with syntax to suggest that he is narrating. He utilizes descriptions such as “antres vast” “hills whose heads touch paradise” and “reasonable woman’s love”, again making his love seem like a fairy tale and for that reason, unrealistic. Race and ethnic background is likewise a theme that is popular in both pieces of literature. The significance of having a high social standing often roots from the way in which someone was brought up and in both cases, the protagonists have strange backgrounds of which the surrounding characters fear and are ften times reluctant to check out. This is at first seen in Othello when he is accused of having used witchcraft to woo Desdemona, Brabantio immediately leaps to the conclusion that he had “practiced on her with nasty beauties” and “mistreated her … with drugs or minerals”. This highlights that above all, he is known for his foreign background due to the allegations of using witchcraft, a practice that at the time was related to African culture and was extremely taboo at the time. Gatsby is revealed to be of ‘brand-new cash’, contrasting Tom Buchanan’s fixation with the old world and significance of household name. Gatsby is rumored to have worked as a ootlegger; and we are introduced to among his work accosiates who was understood for having fixed the World Series. The fact that his occupation is of an illegal nature highlights his lower social status and absence of heritage, something that people at the time knew yet hesitated of. Above all, both characters share the quality of a fatal defect that is the factor for their eventual downfall in the plot, relating to Aristotle’s theory of a tragic tragedy; one usually used for literature of the Elizabethan duration, yet still utilized in contemporary literature to emphasize the harmful nature of a brave character.

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