There are many different ways/techniques in which miller develops remarkable effect in act 3.
All of it starts in the beginning when the play is set off-stage, ‘The room is empty’, which produces an air of mystery and make individuals hear and listen difficult to what is going on. It likewise makes the audience/reader wonder who the new voices are (Hathorne and Danforth). Then when Giles roars into the court, ‘I have evidence for the court’, the audience who are so focused on hearing will right away jolt and get a fright from the noise and there begins the drama.
The remarkable structure of this act plays a key role in the dramatic impact/tension of the act. It begins with a bang, then goes down in tension, then rises to another climax, continuously. An example of this is: in the starting Giles roars into court, then this is questioning and explaining, ‘Your Excellency, I just stated she were readin’ books …’ which lowers the tension then Fransis shws his deposition and the stress and expectation increases again.
The majority of the act fluctuates in this way. This technique stresses the significant points in the play because it sort of isolates them between parts that aren’t so remarkable. All the little high drama points in the act are resulting in the main one in the end.
The 3 depositions, Nurse’s, Giles’s and Mary’s, develop big drama in the way that they are presented and out hopes are raises that the court will see justice and after that refused by the court for a little reason. For instance: Giles deposition, which specified that Putnam was out for land, was declined because he wouldn’t provide the name of the witness, ‘Why, I-I can not offer you his name’. This raising of our hopes then damaging them, continually, mirrors the impact of the structure of the act. The reference and proving of each deposition produces high drama/tension and as each deposition is damaged, the dram and our hopes decrease.
Another significant point in this act, naturally, is the girls. When they begin seeing “spirits”, ‘A wind, a cold wind, has actually come’ the tension is raised due to the fact that the audience knows they are lying however does not know if the court will think it. They claim that Mary is threatening them with her spirit, ‘Why do you come yellow bird?’ and this threatens Proctor and Mary’s deposition. While the ladies are continuously “seeing spirits” and “chanting”, they are tempting Mary back into their grasp and Proctor notifications this, ‘with a hysterical cry Mary Warren starts to run. Proctor captures her’ and this prompts a huge remarkable part in the act: Proctors confession.
Understanding Proctors character as a law complying with man with a great reputation and wanting to keep it, this confession shocks the audience and is a huge remarkable high. The start of the confession is the primary surprise to the audience and the court, ‘How do you call Paradise! Slut! Whore!’. When the court decides to look even more into Proctors claim of adultery, they call in Elizabeth, who Proctor states never ever lies. When she lies, most likely for the first time, this is another peak in the act. She, and the audience, realizes what she has done and everybody gets frightened and fears the worst.
The end is the most dramatic part of the play since Proctor states that he and Danforth are Evil, ‘I see his filthy face! And it is my face, and yours, Danforth’ and this surly methods (to the audience) Proctor will be charged heavily. With the hero in prison, what is left for the rest of Salem? This is what the audience will ask themselves.
Another part at the end of the act which shows drama is when Hale knocks the court because, as the primary priest and witchcraft specialist in this ‘path’ he is supposed to be exemplary and informs us that Hale is someone who now really thinks the women are lying.
Not only the content of the act but also Millers development and intro of the characters create significant impact. 2 primary as soon as stand apart as extremely dramatic are Danforth and Hale.
The introduction of Danforth in this act, I would think about, is a remarkable point since he is quite stern and the audience no idea what to anticipate from him. Will he be reasonable? Will he agree Abigail? The audience is confronted with a secret. All the other characters have actually been mentioned prior to and we have a concept of who they are and what to get out of them. With Danforth, especially him remaining in a position of severe power, it is remarkable that we don’t know what he resembles.
In the start of the play, we understood that Hale was a self important guy who wished to appear the hero and wasn’t afraid to cry witchery on somebody. Throughout this act, he is protective and doesn’t exactly think in all the ‘witches’. It is al if he thinks he has caused all this and wishes to repair it. ‘Is every defense an attack upon the court?’, ‘Excellency, a moment. I believe this goes to the heart of the matter’. He is beginning to side more with Proctor in thinking this is all the girls and they may have caused this.
It his the last quote of Proctors sums up what is going on in act 3 and why it is so remarkable: ‘You are pulling Heaven down and raising up a slut!’. We, as the audience, know things the characters don’t (dramatic irony) and this is a terrific example. We understand the ladies are lying, however the court and many individuals do not, they think the ‘whore’ and not ‘paradise’ (the whore being Abigail and Heaven being reality and righteousness).