When Paul D, Denver and Sethe first encountered Beloved resting versus a tree after emerging from the water, the 3 can not understand the previous or present of the woman in front of them. Rather than translate her odd actions, each of them aims to a physical aspect of Cherished to function as a crucial to her soul. Even as Precious comes house to stay within the first chapter of her appearance, the household takes note of her character through her vague actions and her own fascination in little items. Her background and her future is incomprehensible to them; for that reason, small forays into her being should be gleaned by observation and slight questioning of her sickly movements. Morrison, by providing the reader hints of Beloved’s true person, makes her even more intriguing and strange through the strange undertones of the girl’s associated objects.
When Sethe, Denver and Paul D first saw Beloved, the only things they saw were the items surrounding her: “a black gown, 2 unlaced shoes listed below it” (51 ). As Paul D offers her water, Cherished drinks from the tin cup four times and leaves beads on her chin?the cup and the drops acting as the two most noticeable aspects of her person. Sethe then notices her slender, under-fed body and the “great lace” (51) at her throat. She uses the hat of a “abundant lady” and her skin was “flawless other than for three vertical scratches on her forehead” (51 ), which are just the bare marks on the outdoors symbolizing absolutely nothing exceptional about her personality. For Sethe, the most notable features of Beloved are her shoes and the lace at her throat?it is actually Denver who tries to dig much deeper into the soul of this odd, homeless lady.
When Sethe thinks to herself of Beloved’s background, she associates her with all the other blacks roaming, looking for cousins and suggestions of house in a maze of streets and highways and nation lanes. After this musing, Morrison has Sethe refer to her as “the lady with the damaged hat” (53 ), another recommendation of her association with inanimate objects instead of prescient feelings. Sickly, Beloved drops off to sleep for days and days upon Baby Suggs bed while Denver supervises her attentively. She will eat absolutely nothing until the supposed bout of cholera breaks and she sits up, gesturing for the sweet bread. From then on, Beloved is connected with the sugar she takes in, rather than the words she speaks or the history she exudes. While she was ailing, “It took three days for Beloved to discover the orange patches in the darkness of the quilt” (54 ). At that point, Denver folds the quilt so that the orange bits remain in Beloved’s line of sight. In this circumstances, the girl and her caretaker take pleasure in spots of cloth?unmoving objects?rather than a coherent example of character or past.
After Denver hands her the sweet bread, Morrison composes, “It was as though sweet things were what she was born for” (55) and after that adds a list of sugary products that mark Beloved’s unnatural enjoyment for sugary foods. This fascination with the taste of sugar as soon as again does closed doors into Beloved’s previous or present. Rather, the observation of this love of certain things merely adds to her secret and trick. Even towards completion of the chapter, Paul D associates Beloved with the odd effect of getting a rocking chair?an object?though Denver rejects it with her lying eyes. Her shoes, her hat, her taste for sugar and Paul D’s odd observation do not shed much light upon the weird character that is Precious. Morrison’s foray into her character’s mind leads the reader and the surrounding characters into the dark?her association with unmoving objects just strengthens her currently odd presence.