451 degrees Fahrenheit is the temperature at which book-paper catches fire, and burns (Lenhoff). In Fahrenheit 451, Ray Bradbury is trying to teach the reader about the dangers of books and history as seen in characters, signs, and events. Bradbury’s book has to do with a future American society where books are forbidden and firemen are informed they have to burn any house that has books in it. Books are prohibited since they contain inconsistent concepts and can challenge the comfortable prejudices and ignorance that is plentiful (Zacharias).
Beatty is the chief at the firehouse. Fahrenheit 451 explains a nation caught in the grip of both an external war with another power, and a civil war in between city occupants and ragtag anarchists (McNamee). The main character in the book is Man Montag. His task is to be a firefighter, and he has to burn books as they are discovered hidden in individuals’s homes (Zacharias). It is a crime to own books in this neighborhood. The government utilizes fire departments to implement this restriction (Lenhoff). The firefighters in this futuristic society aren’t the like ours today; instead of putting out fires, they set books on fire.
All of the structures are “fireproofed”; the structure itself can’t catch on fire but the contents of your house, including books, will all burn. Nobody in the neighborhood has ever actually questioned about why they can’t read books, and why they are burned up until Montag fulfilled Clarisse. She is the one who introduced Montag to the world’s capacity for appeal and significance (Sparknotes Editors) and makes him begin to doubt his society’s high-speed, hedonistic way of life (Greenberg). Clarisse is an imaginative girl who informs Montag about books and history (Bradbury).
Her thinking and questioning is a hazard to the state (Kerner). Clarisse is the catalyst through which Man begins to examine his life and profession, and lastly the society he supports (Kerner). Clarisse shares her values with him up until the McClellans mysteriously disappear. Guy Montag’s other half, Mildred, is a completely dependent female. She is always on her wall-sized television screens (Zacharias). Her zombielike dependency to tv and pills make her the personification of this society (Kerner). Her 2 buddies are Mrs. Phelps and Mrs.
Bowles. Mrs. Phelps is a childless, superficial lady who mores than happy since she lets her husband do all the distressing (Brown). Mrs. Bowles is selfish, shallow, and has had 3 frustrating marital relationships, twelve abortions, and two caesarean sections (Brown). Both of Mildred’s good friends are dissatisfied, which reflects onto Mildred. As Montag’s frustration boosts, he seeks out to discover Faber for assistance (Greenberg). Professor Faber is a retired English teacher whom Montag experienced a year before the book opens (Sparknotes Editor).
Faber is another person who has read books prior to. Montag finds out that Faber is now secretly reading books, and has not gotten captured. Faber has actually assisted Montag conceal his own books. Eventually, Faber helps Montag escape the Mechanical Hounds (Brown). Mechanical hounds are perilous creatures that are set by the firefighters to find and kill fugitives. Fahrenheit 451 is split up into 3 various areas. It starts with “The Hearth and the Salamander,” then the middle one is “The Screen and the Sand,” and last but not least it is ends with “Burning Brilliant. Each section represents a sign that is connected to Bradbury’s book. “The Hearth and the Salamander” concentrates on Montag’s task as a firefighter and his home life (Sparknotes Editors). In this section, it provides a series of discoveries that lead Montag to steal and read from books (Heller). The hearth, or fireplace, is a conventional symbol of the home (Sparknotes Editors). The salamander is among the main signs of the firefighters (Sparknotes Editors).
Firemen likewise call their fire engine after the salamander (Sparknotes Editors). Both of these signs include fire which is a huge part of Montag’s life. The hearth contains the fire that heats his house and the salamander since they believed that salamanders reside in fire and are unable to burn. “The Screen and the Sand,” comes from Montag’s youth memory of attempting to fill a screen with sand on the beach to get a penny from a naughty cousin and weeping at the futility of the task (Sparknotes Editors).
Montag compares this memory to his effort to read the entire Bible as quickly as possible on the subway in the hope that, if he reads quickly enough, some of the material will remain in his memory (Sparknotes Editors). The sand is a symbol of the tangible truth Montag seeks, and the screen is a symbol of the human mind seeking a fact that stays elusive and, the metaphor recommends, difficult to grasp in any long-term method (Sparknotes Editors).