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Frankenstein Comparison to the Rime of the Acient Mariner

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Frankenstein Comparison to the Rime of the Acient Mariner

Frankenstein is Mary Shelley’s well-known, imaginary operate in which a man deciphers the secret to producing life. The primary character in this story is Victor Frankenstein. Throughout the unique he grows from a young, innocent kid into a vindictive, cruel man. He oversteps the bounds of science by becoming the developer of a being that never ever need to have lived. In the poem The Rime of the Ancient Mariner, written by Samuel Coleridge, a man, much like Victor, takes the role of the primary character. The ancient mariner, by eliminating the albatross, violates the laws of nature and needs to repent for his criminal activity.

These 2 characters are extremely comparable however they also vary in numerous key methods. Both characters have issues with knowledge. Frankenstein is obsessed with knowledge in his younger years, which ultimately leads to his act of creation. In chapter 2 Victor exemplifies this by saying “My temper was in some cases violent … not toward childish pursuits, however to an excited desire to discover” (Shelley 37). It is this addiction that caused the recession of his life. The mariner is cursed by his understanding due to the fact that he should travel the world enlightening individuals, such as the wedding visitor, to his disturbing tale.

This is revealed when the mariner says “Since then, at an uncertain hour/ That pain returns/ And till my dreadful tale is told/ This heart within me burns” (7. 16. 582-85). In terms of volition, he is the opposite of Victor. Victor actively seeks to find out everything and has devoted his life to the pursuit of knowledge. However, the mariner has actually gotten his understanding by possibility, through spontaneous instead of thoughtful action, and now has to provide his life to preach what he has actually learned.

The truth that knowledge has destroyed both of their lives connects the characters of Victor and the mariner. Another crucial similarity is their isolation. Victor is constantly tormented by his regret and ends up being ill and detached from the world. He generally picks to be alone. He reveals this in chapter four when he says “Every night I was oppresses by a sluggish fever … and I avoided my fellow animals as if I had actually been guilty of a criminal offense” (Shelley 55). Victor takes a trip multiple times throughout the story in order to be alone with his work.

This is exceptionally obvious when he is producing the monster; he is paranoid and unsociable. The Mariner is clearly really isolated because ultimately all his ship mates pass away and he alone is left conscious be tortured. This is shown when the mariner informs the wedding event visitor “O Wedding-Guest! This soul hath been/ Alone on a broad sea/ So lonesome’t was, that God himself/ Limited appeared there to be” (7. 19. 597-600). Both Victor and the mariner respond the same way to their isolation. Victor eventually goes mad and the mariner ends up being a very strange and mystical guy after his journey.

While Victor’s seclusion is self-imposed and under his control, it is the Mariner’s curse which requires his alienation and forces him to constantly relate his tale. Once again, Victor’s situation is because of his mindful choice, while the mariner’s is the result of a spontaneous, unthinking act. Both of these pieces of literature reflect the attributes and values of the Romantic period in numerous methods. The elevation of Nature is represented in both resolves the theme of the havoc that human beings cause when they disrupt the natural order.

It is extremely simple to inform that Mary Shelley was affected by this worth of the Romantic period when writing Frankenstein. In the story, Victor determines the trick of creating life while watching nature. He also disappears to be alone in nature to relieve himself after the death of William. His fatal defect is breaking natural law by producing the beast. The mariner brings about his own and his ship mates’ downfall by killing the albatross, an infraction of nature. Coleridge’s poem is certainly a product of the Romantic period because of its theme of the superiority of nature.

The moral of the story is to regard nature and do not harm it. The mariner did not do this and now he has to compensate what he did. These 2 examples demonstrate how Romantic authors felt about nature and the fantastic power it possesses. Another attribute of the Romantic period that shows up in both of these works is the belief in the supernatural and the valuing of the user-friendly over the rational. In Frankenstein the whole idea of creating human beings and stunning them to life is unreasonable and unnatural.

In The Rime of the Ancient Mariner supernatural things occur throughout the entire poem, for example, when the 2 spirits go by the mariner, and when the team of the ship all come back to life as zombie-like animals. In both of these works, the Romantic’s anti-intellectual predisposition, reverence for nature, and contempt for human manipulation of the natural order are evident. Functions Cited Coleridge, Samuel T. The Rime of th Ancient Mariner. Ed. Julia Reidhead. 8th ed. Vol. B. New York: W. W. Norton & & Company inc., 2006. 1615-1632. Print. Shelley, Mary. Frankenstein. New York, NY: New American Library, 1994. Print.

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