All of us have actually wished to change something in our lives. Whatever would be best if we might control what occurs on the planet. Nevertheless, we know that life uses us no option however to accept modifications that happen in life. For that reason, we grieve at piteous failures but rejoice great changes. Trumbo and Paton effectively portray changes that their main characters experience in life. Trumbo and Paton use images to reveal positive and unfavorable changes throughout the lives of their main characters.
Trumbo uses imagery to depict Joe’s enjoyable previous life. For example, Joe feels enjoyed when he images “the sled” that was “his Christmas present” and his mom who is “laughing like a lady” and his papa who is “grinning in his sluggish wrinkly way” (11 ). The sled signifies familial love not only due to the fact that it is offered to Joe from his parents but likewise due to the fact that the sled permits the family to spend loving time as a whole, making memories. Joe even more keeps in mind the time he spent with his family when he thinks about his mother’s rolls that were “steaming hot” and “melted” when “you put butter inside them” (16 ). Trumbo highlights not just Joe’s capability to smell and taste but likewise Joe’s psychological pleasure connected with sharing his preferred foods with the people he likes.
In addition, we see that Joe is friendly and dynamic as a boy when he “entered his heavy clothes and his mackinaw and his boots and his sheepskin gloves and went out with the rest of the kids” into the snow (18 ). In his childhood, Joe is like any other ambitious kid who takes pleasure in nature and social time even through the extreme and numbing cold. In addition, Joe feels accepted by society during his time in Shale City, the “most beautiful town in the world” to him with a “pale blue” sky and with” about a million stars shining” (51 ). Joe has the ability to call Shale City home because he is comfortable with the people and the activities in this town. His friends and the town’s gorgeous physical elements make Joe feel like a part of the town, like he belongs there. Through images, Trumbo enables the reader to acquire a positive view of Joe’s past.
In contrast, Trumbo utilizes images to offer an unpleasant and unfavorable view of Joe’s present life. For instance, Joe paradoxically explains his unconsciousness to be “a sort of worry yet not like any regular fear. It was more of a panic it was the panicky fear of losing yourself even from yourself” (127 ). Unlike his past, Joe is constantly in worry since he has no boundaries to assist him distinguish his dreams from real ideas; Joe feels that he can no longer trust his own mind. Moreover, Joe wishes Kareen to be the unidentified visitor next to him until “just as he could feel the touch of her hand his pleasure turned all of a sudden to shame” due to the fact that unlike old times, Joe no longer feels confident about his body (157 ).
His physical aspects deteriorate his self-esteem: with the idea of Kareen towering above his debilitated body, Joe feels embarrassment and shame. Unlike his past, Joe would not spend time with his enjoyed ones even if he were offered a chance since his pride would avoid him. Moreover, after the nurse taps “Merry Christmas” to him, Joe “heard the sound of sleigh bells and the crunch of snow and there were wreaths of holly with red berries nestling like hot coals versus them” in his mind, contrasting his past days of Christmas where he is physically able to commemorate (200 ).
Trumbo uses a simile to depict the fresh memories of Christmas in Joe’s mind that are now Joe’s only mementos for internally commemorating the vacation. Lastly, Joe falls into misery when “he could nearly hear the wail of discomfort that increased from his heart” after his hopes are declined by the doctors (235 ). Trumbo uses personification of a heart that wails to contrast the feeling of approval Joe felt in Shale City to the sense of betrayal Joe now feels from the physicians and society. Although Joe has put forth his whole heart and effort into his tapping, society has declined him. Through imagery, Trumbo allows us to see the modifications in Joe’s present lifestyle from that of the past.
Likewise, Paton uses images to represent changes in the characters that Stephen Kumalo enjoys. For example, when Stephen fulfills Gertrude in Johannesburg, he notifications that “the voice that was as soon as so sweet has a new quality in it, the quality of the laughter that he heard in the house” because Gertrude has changed into a new being (60 ). The laughter Stephen refers to is shameful, so he relates the laugh to Gertrude due to the fact that she is no longer an innocent and respectful being. Like Gertrude, John Kumalo transforms but into a guy that is ravenous for power; hence, Stephen notices that he “sat with his hands on his knees like a chief” (65 ).
Paton utilizes a simile to compare John to a chief since John is no longer a quiet male who follows custom or somebody else’s command; John is like a chief due to the fact that he now takes his own management to speak his ideas. Stephen likewise sees that “there was a modification” in John’s voice, that “it ended up being louder like the voice of a bull or a lion” since John has an air of authority and need in his voice (67 ).
Paton uses simile to depict John’s voice as powerful as that of a bull or a lion. In addition, when Stephen lastly sees Absalom in Johannesburg, he observes the kid’s sinful change as he “twists his head from side to side, as though the loose clothes is too tight for him” (130 ). What considerably disrupts Stephen is the truth that Absalom does not even have a sensible reason for his murder, merely shaking his head when Stephen concerns him. Like Gertrude and John, Absalom has diverted from traditional worths and thus grieves Stephen. Paton uses images to show negative modifications in major characters of Stephen Kumalo’s life.
Paton likewise utilizes images to show modifications in both Johannesburg and Nodtsheni. For instance, Kumalo notices “how the yard had actually disappeared” and “how the maize grew hardly to the height of a guy” and grieves over his gradually debilitating town (52 ). Kumalo feels anguish because he merely observes Ndotsheni growing ill without having the ability to assist it. In addition, Kumalo feels emotionally more powerful when he observes the locals boycotting the buses, starting to stroll early in the morning with “a bite of food, and their eyes are hardly closed on the pillow before they should stand again, in some cases to start with nothing however hot water in their stomachs” (74 ).
The sight of the locals working laboriously for justice provides Kumalo hope in Johannesburg, a city filled with novel ideas that contrast his standard beliefs in Ndotsheni. In addition, after Jarvis comes to Ndotsheni, the town begins to make development: the guys no longer till “up and down” however “throw up walls of earth, and till round the hills, so that the fields look no longer as they used to search in the old days of ploughing” (299 ).
Jarvis’ young demonstrator teaches the men of Ndotsheni methods to preserve the earth and reconstruct the town; Jarvis brings a positive change to Ndotsheni. In addition, Stephen shows his psychological modification towards Jarvis, taking a cypress branch and making it “into a ring, and tied it so it might not spring apart” and “put the flowers of the weld, such as grew in the bareness of the valley” (298 ). This wreath symbolizes Stephen’s appreciation towards Jarvis; Stephen’s regret and pride no longer avoid him from accepting Jarvis’ warm offerings of help. Through imagery, Paton depicts changing elements in Ndotsheni and Johannesburg.
Through imagery, Trumbo and Paton successfully reveal the physical and psychological modifications throughout Joe and Stephen Kumalo’s life. However, Trumbo is more efficient than Paton since his imagery contains more vibrant descriptions to help the reader feel the gravity of Joe’s changes. Trumbo offers the reader a more vibrant photo of Joe’s life through using powerful similes and personification. Trumbo’s images of the modifications in Joe’s life advises us of our weakness to control our own lives.