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Is Dr Faustus a Medieval Morality Play or Is It a Renaissance Drama?

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Is Dr Faustus a Middle Ages Morality Play or Is It a Renaissance Drama?Is Dr. Faustus a medieval morality play or is it a renaissance drama? Dr. Faustus is a special play amongst the plays that were composed at the time. It was a play unusual that was a surprise, something the Elizabethans weren’t anticipating. It might be argued that the reason for it being different is because it is a renaissance drama but nevertheless some argue that it is a middle ages morality play, a genre of theatre popular from early 1400s to 1580s.

A morality play could be specified as a medieval drama that represented moral dilemmas through allegorical figures such as Everyman and various virtues (Strength, Charm) and vices (Gluttony, Report). A lot of moralities (such as Everyman) dealt with the method which the Christian fulfills death. It might be argued that this is a morality play since in scene 1, as in a traditional morality play, Faustus appears to hear only the last speaker, in this case the wicked angel, who guarantees him power over the components.

The dispute in between Great and Evil was a recurring style in the medieval morality plays. From this viewpoint, Marlow’s play is a drama of the middle ages morality play, Everyman. Doctor Faustus ends up being a morality play in which paradise has a hard time for the soul of a Renaissance Everyman, particularly Physician Faustus. Through out the play Marlow puts contradictions such as good and bad angel in order to provide his Faustus’s confusion of options to make, this challenges the Elizabethan audience. He shows immorality by conjuring the devil.

Further more the story pattern supports it being a morality play. The narrative pattern in which a main character falls under wicked ways however consistently thinks about repentance at the same time. In early scenes of the play, Dr. Faustus is obviously not sure about the choice that he has made however attempts to strengthen himself by considering all the powers he will get in return for soul as he states: ‘now go not backwards: no, Faustus be resolute. Obviously, the more he attempts to undaunted himself, the less undaunted he becomes.

His uncertainty is reflective in the narrative structure of the 4th scene, which is repeated 4 times. Again and Again, Faustus comes close to conserving himself however each time the powers of darkness cause a yet more incredible demonstration of their abilities, and Faustus finally falls even more than ever from the possibility of repentance. However it could be argued that it is a renaissance drama. In Dr. Faustus, Marlow has strongly drawn up the character of a smart, learned guy unfortunately seduced by the lure of power higher than he was mortally suggested to have.

He desires to be various and the most ingenious, he selects to stroll on the devils course to do this. From a renaissance point of view, Dr. Faustus is a heroic disaster. The renaissance movement highlighted the power of the private and the fulfilment of life In the play, Faustus, is not satisfied with his abilities, or as he saw them limitations, as a person. He did what he needed to do to further advance his accomplishments, aiming to accomplish his goals by any methods required.

In Scene 1, he mentions: These metaphysics of magicians, And necromantic books are incredible! Lines, circles, plans, letters and characters! Ay, these are those that Faustus most desires. O what a world of revenue and pleasure, Of power, of honour, of omnipotence. In this passage Faustus reveals his desire for the powers that will bring him knowledge, however most significantly, fortune and popularity. This more illustrates the renaissance belief in taking control of your own life and determining your own destiny.

His failure is woven into the truth that he is and will constantly be human– therefore, flawed. Marlowe creates a character who is smart, broad-based in his education, sensible, and poetic … and still damned. Marlow presents a renaissance male that is flawed. This renaissance guy would have stunned the Elizabethan audience as he thought there was no god or faith however wished to be god like. The Elizabethans only lived by the guidelines of god, religious beliefs and the church, never ever questioning it.

In conclusion if Dr. Faustus is interpreted from a Medieval point of view, it supports the same principals and morals that most of middle ages literature tried to instil; that is, the righteousness of God and the Roman Catholic Church. Nevertheless I presume that it is a special play that it composed throughout the starts of the renaissance period and therefore neither solely Renaissance nor Medieval in design, however is a mixture of both. It is instead a fantastic story of a man torn in between the distinctions of the outbound Middle ages Period and the inbound Renaissance told in a brilliant design made up of the two unique schools of idea.

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