John Proctor– the Crucible
John Proctor Eventually, John Proctor is an essential part of the Crucible. His refusal to open about Abigail’s lying (which she confesses in Betty’s bed room) enables Abigail to whip the village of Salem into a frenzy– accusing anybody and everyone of witchcraft. He is a proud and effective guy, much respected in the village. The reality he devoted infidelity with Abigail suggests she has the power to control him. Adultery protests the laws of Salem’s theocracy (as it is against the Decalogue) so, if Abigail told the village of their affair, his reputation would be damaged which would result in him being sent out to the gallows.
Although his hot-headed temper and one fatal mistake makes him appear the antihero, it also provides him with the terrific burning enthusiasm needed to break open the fact that Abigail divulged to him: the girls were faking illness and witchcraft is a lie. This would conserve those accused of witchcraft (such as Rebecca Nurse who was accused by Mrs. Putnam)– making him the lead character. He knows that Abigail’s objective is to win him back, even if it indicates eliminating Elizabeth. Abigail’s treachery can be found from the first chapter where Parris asks Abigail to confess about any misconduct that may have triggered her sacking by John Proctors better half.
Right away, she refers to her as ‘a gossiping liar’, ‘bitter’ and ‘a cold snivelling female’. The use of ‘lady’ enhances how degrading her viewpoint of Elizabeth Proctor is. Her immediate offense is defensive and exposes her jealousy of Elizabeth which is confirmed when she openly discusses her desire with John: ‘I am waiting for you every night’. Thus, John Proctor is knotted with Abigail. The concern of which, is that she effectively controls others with an innocent pretence (for instance, when she informs Parris she had absolutely nothing to do with witchcraft: ‘Not I sir’).
When John talks with Elizabeth, he shows just how much he wants to repair his relationship with Elizabeth ‘I imply to please you Elizabeth’ ‘I have gone on tiptoe in this house all 7 month … I have actually stagnated from there to there without I think to please you’. John Proctor sustains the understanding Elizabeth has actually still not forgiven him despite the fact that he has been a best husband because and he grumbles, ‘Still a long lasting funeral service marches round your heart’. His commitment to Elizabeth is shown strong by the way he asks her to ‘look in some cases for the goodness in (him)’ as he desires her to enjoy him once again.
Nevertheless, Elizabeth feels he struggles himself to handle his sin as she says ‘The magistrate sits in your heart that judges you’ which shows he is still living with remorse– which is why he prevents stating the commandment ‘Thou shalt not commit infidelity’ to Hale. This idea offers the intention for John appealing to the court and confessing his sins when Elizabeth is detained– like many other characters who admit their sins through the witchcraft allegations: ‘Long-held hatreds of neighbours might now be honestly ex-pressed’.
When speaking with Hale, Proctor outlines numerous reasons why he Parris’ ministry: ‘for twenty week he preach nothin’ but golden candlesticks till he had them’; ‘the man dreams cathedrals’; ‘I see no light of God because guy’; ‘I have trouble enough without I come five mile to hear him preach only hellfire and bloody damnation’. Making use of ‘hellfire and bloody damnation’ overemphasizes how downhearted Parris’ sermons are as it shows John has actually heard excessive of damnation given that he utilizes the word ‘bloody’.
Such curses accentuate repeating. Since of the power of the theocracy, many villagers neglect the truth the leaders are big-headed and self-righteous. Nevertheless, John differs in the knowledge his town is falling apart under the weight of repression. John is too smart to be swayed by the rumours, so Miller illustrates him as the sole normal character and he grounds the story which, otherwise, is merely an account of useless immaturity.
Although he is violent in his treatment of Mary Warren (‘grabs her by the cloak, furious’), it is a way by which he reveals his outrage that Mary Warren from his home is ‘an authorities of the court’. She has found comfort in being an ‘official’, so the theocracy are brainwashing its individuals with crucial titles. John states ‘(I) prohibited her go to Salem any longer!’ due to the fact that people are already being sentenced: ‘Goody Osbourne will hang’. John’s intentions are good considering that he wants the smallest assistance for the court who have currently mentioned Elizabeth for witchcraft and who will eventually sentence him to death.
He feels wholly betrayed by Mary Warren so his response seems reasonable and suitable. Furthermore, mistreatment of females at the time was commonplace therefore his reaction isn’t out of the ordinary. In the Crucible, John Proctor’s defects offer his character more depth and make the story more relatable to Miller’s target audience: 1950s America. When every aspect of a protagonist is good, he becomes suspicious because no one can genuinely be all great in the mankind (and no one is).
Powerful individuals in 1950s America were believed to be communists and the civilians who implicated them were illogical and hot headed. This implies that, to make the story credible and socially essential, it needed to be seen that the characters were flawed. For That Reason, John Proctor produces contextual significance in addition to making the link in between the 17th Century Puritan society of Salem and today. In extension, the bad aspects of John’s personality produce juxtaposition which amplifies his good features.