Supporting this claim even more are numerous lines from Miller’s pre-introductory notes; “His [Putnam’s] vindictive nature was shown long before witchcraft started.” Not just does this strengthen our trust within the character of John Proctor, it constantly develops a likeness within him in the mind of the audience. Miller strives to accomplish this more-so through Proctor’s defense of his missing better half to Abigail who aims to smite her; “You’ll speak nothin’ of Elizabeth!
” This is due to the truth loyalty is an undisputable likeable quality.
The moment our feelings towards John Proctor are challenged lay upon his treating of his housemaid upon the warrant of his better half to be jailed. Proctor handles her violently, though it is rather partially excused due to its sincere objective: to free his other half. Therefore, the difficult of our considerate yet simultaneously self-righteous mindset to Proctor, only is successful in strengthening it, through the obvious pardoning of his actions for their good objectives.
It becomes apparent the good moral of John Proctor, within his decision to run the risk of the certain pardon of his partner in order to aim to launch his fellow innocent towns folk during the court scene of the play; “I– I believe I can not.” Paradoxically, this represents Proctor as one of the only Puritan’s of the play, as he strives to surpass his own greed, in strive to clear his conscience and do what is finest for the village. His real Puritan worths are also evident earlier in the play when he recommends his uttermost disgust at Reverend Parris’ indulgence of “golden candlesticks. “
Also, Proctors morality influences his decision to inform the court of his lechery with Abigail Williams. For this factor, Proctor rises even further in our levels of affection. “I have known her, sir I have known her.” This line symbolizes Proctors fulfillment of total morality, as he confesses his sins in wish to release innocent victims. Proctor ends up being somewhat brave at this point, as lechery is an extremely punishable criminal activity at these times. The last bout in which Proctor reaches our highest admiration comes at completion of the play, when he chooses he would rather face hanging, than lying in the face of God.
This selfless deed is what separates Proctor from the remainder of the townspeople. His morality shows unique, after a number of hints at its strength earlier in the play, such as his earlier converses with his partner upon his affair with Abigail, in which he becomes irritable at his other halves judgment, regardless of her making almost no reference of it. This hints that Proctor has actually merely not forgiven himself for this deed, and instead of face the reality would rather put its blame upon somebody else.
Despite this, his character becomes probably a martyr towards the contortion and damage of the witch trials, as they apparently liquify after his death shows example to numerous others. Maybe Miller may be comparing himself to the admirable character of Proctor. Through their both practically unjustified bias, Proctor for his lack of faith in the Puritan system, and Miller for his satirical outlook on commercialism. For this factor, possibly Miller is validating his actions to not confide the American Federal federal government at a later date, throughout his comparison of it to something rather advanced (the desolation of persecution. )