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Love and Marriage and Tragedy in Romeo and Juliet


Love and Marital Relationship and Disaster in Romeo and Juliet

In the Shakespeare’s “Romeo and Juliet” different characters attitudes towards love and marriage are pivotal in contributing towards the play’s awful events. The chorus opens the have fun with a recommendation to Fate, and explains the fans as: “A pair of star-crossed fans”. This suggests that the fate who figures out the characters lives and this sense of pre-determines doom echoes throughout the play. Even Romeo and Juliet met each other by a prediction of stars and fate. The primary lead characters feel the operation of Fate behind his/her actions. Romeo fears that fate is working versus him, as he goes to the Capulet Masque: “I fear to early for my mind misgives/ Some consequence yet hanging in the stars/ Shall bitterly begin his fearful date”. Here Romeo really thinks in Fate which all that “this afraid date” is foretold by the stars and predetermined by Fate. The alliterated “mind misgives” shows that the dream has been brought by Fate thus Shakespeare tries to suggest that but he can not stop himself from advancing towards his own awful end and his participation of the Capulet Masque is the initial step towards satisfying that fate.
There can be no doubt that Romeo’s rashness and suddenness throughout the play lead to the tragedy at the end. At the start of the play Shakespeare presents Romeo as an Elizabethan lover, as an individual who is impetuous and quick in his enthusiasms. His dad talk about his sorrow stricken son at the initial start of the play: “Numerous an early morning hath he there be seen/ with tears augmenting the fresh early morning’s dew”. His father Montague is worried about Romeo and he utilizes a natural image to show Romeo’s unnatural and exaggerated sensations towards Rosaline. Romeo’s mindset shows that of the courtly fan vainly attempting and ensnare the attentions of an unattainable enthusiast. However, it is therefore the very same extremity of behaviour that later on defines his relationship with Juliet. There is no doubt that Romeo is very enthusiastic about love that this intensity contributes in the disaster. When in love with Rosaline, Romeo is really suppressed and depressed. “Under love’s heavy burden do I sink.” When Romeo mentions his love to Rosaline and he expresses how unhappy he is in love. Significantly, Romeo is reasonably young and unskilled in life and so he is easily confused by love. This confusion towards love is shown in Act 1 Scene one by him utilizing oxymoronic phrases, such as “bright smoke” and “cold fire” which show the exaggerated artificially of his love as well as the inner confusion he experiences.
Romeo quickly falls out of love with Rosaline, nevertheless and as soon as he sees Juliet it is love at very first sight, which is alive, real and reciprocated. Love is for that reason an inconstant and extreme emotion, according to Shakespeare. His new discovered love”So reveals a snowy dove trooping with crows.” Juliet represents the white dove that is among black crows. This shows us that although Romeo thinks he is wise on the subject of love his inexperience and immaturity shines through due to the fact that he is always falling in and out of love. When Romeo meets Juliet for the very first time the very first fourteen lines, which they exchange, are composed in sonnet form. This use of religious images includes a spiritual measurement and reveals the more severe nature of Romeo’s love. This is suggested by “If I profane with my unworthiest hand/ This holy shrine, the mild sun is this,/ My lips two blushing pilgrims, ready stand/ To smooth that rough touch with a tender kiss”. Religions images shows the depth of feeling regardless of the swiftness of his love. It is likewise ironic that he is using the spiritual language to show his brand-new established love for Juliet, a love that is based upon extensive physical attention.
Romeo’s intensity of sensation is now reciprocated and he utilizes pictures of light to communicate the bright beauty and divine status of Juliet. Thus he describes Juliet as “the sun”, and himself walking on the east toward this sun regardless of being far, he is blinded by the charm of Juliet: “Juliet is the sun/ Arise, reasonable sun, and kill the envious moon”. Moreover, in this scene, when he remains in the Capulet’s orchard he looks at the balcony where Juliet stands and searches for at her. This shows us that he worships her and depicts her as his only love, “Juliet is the sun.”
Romeo is likewise quite rash and impetuous in love and marriage and this equally can be viewed as a contribution to the final catastrophe. His moods alter rapidly, and he falls in love at very first sight when he meets Juliet, weds her next day and revenges Mercutio’s death by slaying Tybalt. The language he utilizes is invariably hyperbolic– “that vast shore vast with farthest sea”, which suggests that Romeo sometimes misjudged the circumstance and takes it too seriously. He likewise becomes very psychological and loses self-control in his actions. When he was eradicated and went to Mantua, and later when he discovers Juliet’s death. Again he is very psychological and impulsive which is evident in his enthusiastic declaration “then I defy you, stars!” He is extremely impetuous and instantly decides to eliminate himself for love and depend on the burial place with her, “Well, Juliet, I will lie with thee tonight”. His mindset is emotional and there is a vicious paradox in his apprehension of her charm, “Hath had no power yet upon thy charm”. This is deeply paradoxical as she is in moments away from awakening. Significantly, he continues to blame fate as he ponders suicide and argues that he is the master, conquering a malign fate by taking his own life: “shake the yoke of inauspicious stars”. This suggest that if he passes away, he will be devoid of the operation of fate. This soliloquy before he takes the toxin recommends that he shows maturity and unflinching love to Juliet and whilst he stops working to acknowledge his obligation he nonetheless shows nerve and dedication.
Juliet’s attitude towards love also plays a huge function in contribution to the awful occasions. Juliet’s character in the beginning of the play communicates that she is a very obedient kid. This is highlighted by, “Madam, I am here what is your will?” This communicates that Juliet is dedicating herself to whatever may be asked of her. Also, the word “Madam” tells us that her mom is of greater status in her house than others, and she is considerate and selfless. In this scene Juliet is likewise described as a “lamb”: “I bade her come, what lamb.” This reference to a “lamb” recommends that she is still young. It additionally reveals her purity. This is important, due to the fact that later on in this scene they discuss marital relationship although Juliet is so young. It also suggests she is still in requirement of guidance, in spite of the fact she paves the way to parental authority. This is highlighted by Juliet’s own obedience when confronted with an attempt of marital relationship: “I’ll want to like, if looking preference relocation”. She will not “look”, exchange a glance without adult authority. When she satisfies Romeo, Juliet’s attitude towards love and marital relationship changes. As Juliet modifications in this scene she looks like being caught between her newfound self-reliance and her previous reliant state. This is illustrated by the Juliet’s frank admission: “It’s too rash, too unadvised, too sudden”. This captures that she knows that she is rushing however carries on– “This bad love too like the lightning”, which is paradoxical use of light images to reflect the brevity and intensity of love, whilst Romeo utilized light images the intensity of his love and the nature of Juliet’s charm. This also reveals naivety due to the fact that she has understood that she is moving too rapidly, yet she continues regardless. This adult scenario is triggering confusion within her. Throughout the ‘terrace’ scene she takes the lead, speaking two times as much as Romeo. She speaks of him as “My true-love enthusiasm” and states it in a memorable image: “My bounty is a limitless as the sea,/ My love is deep; the more I offer to thee/ The more I have, for both are boundless.” The “limitless” sea suggests the strength of feeling and commitment to like, like Romeo it remains in the intensity of the feeling that adds to her failure.
Significantly, Juliet even takes the lead in proposing marital relationship, and arranges it to be married next day. In the beginning of this Act 4 Scene 2, Juliet is ready and waiting. At this moment they are already wed and she is nervous and she likewise shows desires of a fully grown lady. This is apparent from “spread close drape, love carrying out night.” This recommends that she can’t wait to skilled her marriage with Romeo and has no reservations about the unauthorised marriage. This once again links to the reality that she is not a “lamb” anymore; she is impatient and fully grown. The alliteration emphasises her excitement and her brand-new discovered passion. Later on in this scene, Juliet ends up being baffled because she hears news that Romeo has eliminated Tybalt. Here her maturity is evaluated. This is shown by the oxymoronic recommendation to Romeo as a “Stunning autocrat”. This oxymoron reflects her conflicting emotions towards love and Romeo. Juliet reveals that she likes Romeo and practically takes sides however her commitment to him bypasses all other family factors to consider. He stays “her lord” and her commitment resolute.
Later Juliet breaks what her father wants. Indeed her love for Romeo and the secret marriage isolates her. In the Elizabethan era this would be thought about morally incorrect. At this time ladies were helpless in relation to males in patriarchal society, so her father Capulet picked her husband according to social and material benefit. This indicates that she must do as she is informed, in theory marrying Paris. However, this becomes an argument in between Juliet and her dad. Visiting Friar Lawrence, she reveals a nerve, at the start in her determination to eliminate herself instead of wed Paris: “Do thou but call my resolution sensible/ And with this knife I’ll assist it presently”, accepting the Friar’s rather thoughtless strategy, where she, once again, reveals guts and maturity: “Love provide me strength, and strength shall keep afford”. She shows fearlessness and when wakes up and seeing Romeo dead acknowledges death as her only option, by saying “O, pleased dagger!, which recommends that she would rather pass away than live without Romeo. Nevertheless, Capulet’s mindset towards love and marital relationship is likewise depicted as playing a substantial role in the downfall of the fans. In Act 1, Capulet is asked by Paris for Juliet’s hand in marriage, ‘And now my lord what say you to my match?’ Capulet is rather worried; he reveals his concern about Juliet’s age, ‘My kid is yet a stranger on the planet’ and ‘Let two more summers wither in their pride’. Moreover in Act 1, Capulet sets up a ball to which Paris is welcomed. Capulet told Paris, prior to the ball, that he would agree to their marital relationship only if Juliet concurred, “And she agreed, within her scope of choice lies my approval and fair according voice”: This suggests; ‘if she agrees, I will provide my grant her weding the male she chooses’. However, in Act 3 Scene 4 his guarantees to Paris that Juliet will be devoted– “she will be ruled in all respects by me” are dramatically paradoxical, because Juliet has currently married Romeo and has now consummated the marriage.
Substantially, in Act 3 Scene 4 Capulet changes his mind about waiting, and decides to go on with the marriage with Paris without Juliet even agreeing or asked about the marriage. Urgency and self will now identify his behaviour towards Juliet and he ends up being the Elizabethan patriarch. He likewise changes his mind on what day they need to wed for no evident factor. From Act 1 to Act 3 Scene 5, Capulet has gone from letting his child choose a groom to requiring and violently threatening her into a set up marital relationship with Paris. He argues that Juliet is ‘ruled’ by him: ‘I think she will be ruled in all aspects by me, nay more”, Capulet’s self-confidence that Juliet will obey him and marry Paris contrasts dramatically with his habits in Act 1, Scene 2. He is now a normal patriarchal father, who doesn’t permit his daughter any say in her choice of partner. It is vital command of the scenario and blaming his own child for not listening t her– “Hang thee, young luggage, disobedient lowlife”. Eventually this leads Juliet to her supreme failure and a more cut of “disobedience” to take a potion that will feign her own death. Friar Lawrence may be considered as a really complex character, however his mindsets towards love and marital relationship similarly can be seen to play the essential role in the tragedy. On his first appearance he appears a wise ethical commentator as he speaks of everything having a capacity for great and wicked, as he speaks about his plants “With baleful weeds and precious-juiced flowers”. He argues that these flowers are poisoning but have gorgeous look and this initially becomes a metaphor for himself– he has an honorable aspiration but tackles his intentions the incorrect way. Romeo has the Friar to confide in and as quickly as the Friar discovers of the love for Capulet he marries the couple in secret within twenty 4 hours. Friar believes that consummated marriage is a sacrament, and guarantees Romeo and Juliet are wed before they spend a night together– “Ascend her chamber, comfort her!”. This happens in spite of the reality that Romeo is gotten rid of. He is well intentioned and has the excellent of the young enthusiasts at heart, however misuses the sacrament of marital relationship in a bid to mend the feud. He shows a really little comprehending about how terrific is the hatred in between the two families and he naively believes that this marriage can bring the piece in. Using oxymoron to view the love and marital relationship between Romeo and Juliet as a possible remedy for the fight between the 2 households– “to turn your families rancour to pure love”. The Friar hopes that through the marital relationship of Capulet and Montague kids, the 2 households will begin to agree one another and stop their violence and battling in Verona. The Friar states, “… this alliance might so pleased show;/ To turn your families’ rancour to pure love.” Such an extreme opposition– “love” with “rancour” shows his hopeless optimism.
Giving Juliet a sleeping potion as a method of preventing the second match also highlights his responsibility. It is such a severe strategy– “Which yearns for as desperate in execution/ As that is desperate which we would avoid”. The only time Juliet was reluctant to follow the Friar’s guidance was prior to she took the sleeping potion “No, no; this will prohibit it: lie thou there. What if it be a toxin, which the Friar subtly hath minister needed to have me dead. Juliet understands that the Friar is now culpable. Ironically, he Friar informs Romeo not to rush things with Juliet– “wisely and slow”, however when Romeo asks him to wed them, he agrees. The Friar approves of their real love, and in a manner thinks it to be spiritual. He really cares what happens to Romeo and Juliet. But, he is not responsible for his own actions. When the letter about Juliet’s death was not delivered to Romeo, Friar calls it “Dissatisfied fortune”, which is deeply paradoxical as it is his obligation. Thus the Friar thinks that is just a mishap and not his obligation. He also was trying to hide his actions from Romeo, when he started to understand that they were totally pitiful– “Hath had no notice of this accidents”. He fixes the problem really quickly– he is simply going to write a new letter to Mantua, whilst Romeo is currently at the churchyard. This naivety and failure to appreciate the seriousness of the situation again add to the lovers’ downfall.
Substantially, when he discovers Romeo dead he is once again calling it an accident– “Unkind hour” and still doesn’t take the obligation for his actions– “Is guilty of his lamentable opportunity”. Furthermore, we see him trying to convince Juliet not to kill herself, stating that the Romeo’s death is not his fault, however the power of Fate– “A higher power than we can oppose”. He asks Juliet to disappear into sisterhood of nuns. However, she eliminates herself, since of her love to Romeo and it would be argued, since the Friar provides no alleviation. At the end of the play and lastly confesses his fault– “Myself condemned and myself excused”. He says that his motive was a noble one since he wished to join 2 families together and all his plans were condemned by the consequence. The Friar, like the nurse has true sympathy for the young lovers who have nowhere to turn to, but his thoughtless concept to offer a method to their “violent delights” and ends in disaster. In conclusion, Shakespeare provides lots of competing mindsets towards love and marriage, as Shakespeare discussion of love and marital relationship differs from character to character. Some characters believe just of physical look, others show a type of love with their kids, but the one true, pure love is that of Romeo and Juliet. Each character in the play offers a frame to their love, their mindsets contrasting with the real love of the young fans. They eventually make the best sacrifice for each other and this shows the validity and power of their love through their supreme self-sacrifice.

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