Commitment in Othello
The concept of order in HENRY V The concept of order in William Shakespeare’s “Henry V” is main to the play as a whole and this is demonstrated through the occasions, principal characters and styles of the play. Though Henry V is among the Bard’s history plays, it is more especially a play that brings insight into the concern of what part order and condition play in a society. The first time we are introduced to the midpoint of order in the play is in Act I, scene 2 when Exeter compares the need for order in society to the need for order in music. For government, however high, however low, and lower … doth keep in one consent … like music.” The analogy works in that it interacts the message to Shakespeare’s audience that the enjoyment of music, like the pleasure of society, depends on its order. Consistency in society, Exeter is asserting, is equivalent to buy in music The next extremely effective display of the significance of order as being necessary to the play is when the Archbishop of Canterbury delivers his parable on the bee hive.
He makes the extremely pointed claim that honeybees “by a guideline in nature teach/the act or order to a peopled kingdom.” This speech can be interpreted in a range of ways, but the central idea is clear: the structure of the honeybee society with its dependency on the hierarchical nature of the king and the workers, belongs to the Elizabethan society that can not survive or prosper without its obligation to its monarch and the structures within the monarchy. Canterbury’s speech establishes the concept further when he makes the parallel to the rightful use of war when the society requires to be enhanced to buy.
He notes that the soldier bees go about their company of safeguarding the world while the queen passively watches, merely “busied in his monarchy”. It is here where the character of Henry V himself embodies order Henry does not content himself with idly enabling his soldier bees to achieve their task, but he takes part in the reinforcing of order himself even versus the prompting of the archbishop to partition England so that the king can entrust to his army in his campaign versus France.
However Henry refuses to develop division even in the middle of the condition that appears to be encroaching on his prepare for order: the conspiracy of Cambridge, Scroop, and Grey; the interplay of the burglars Pistol, Bardolph, and Nym who defy Henry’s order that nothing is to be stolen from France; and William’s muted risk of insubordination when he challenges the King’s “cause.” Even Katherine presents a risk to Henry’s passion for order when she plainly holds the prospective to decline him her womanly responsibilities and therefore prevent his plans to join the two kingdoms.
Throughout Henry V Shakespeare poses order as a central principle for his Elizabethan audience and permits the historic occasions of Henry’s campaign versus France and his symbolic marital relationship to the princess of France to be the automobile to communicate the principle. As a result, the concept of order is main to the play as an entire as is evident in the events, the primary characters and in the significant styles of the drama.