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Misogyny in Othello by William Shakespeare

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Misogyny can be specified as the cultural attitude of hatred for women just due to the reality that they are female and are viewed as inferior to guys in the Elizabethan society, due to the fact that of misogyny, ladies live in a society dominated by men. As we go through Othello we can discover that the females characters are presented according to the expectation of the Elizabethan society. During this time females didn’t take pleasure in the very same quantities of freedom as they do today. There were stringent guidelines how women need to behave in your home and in public. Male ran all of the institutions and were thought about as the head of homes. Othello is a play in which these unequal positions are plainly depicted. The method females act and perform themselves in Othello is connected to the abstract expectations of Shakespeare’s Elizabethan society and the patriarchal society that he creates by the absence of representation that is given to ladies in the story, the representation of female suffering and sexual possession.

First of all, the absence of representation that is given to ladies in Othello is an illustration of the marginalisation of women. The play includes only 3 female characters: Desdemona, Emilia and Bianca. While the male cast list is relatively comprehensive. Within this substantial male cast there are characters with little or even no influence on the story, these are characters such as sailors and soldiers. They don’t contribute to the plot or style in any method. While these male characters with little or no effect are introduced, wives of crucial male characters such as Brabantio are not. This minority of female characters display a clear vision of the social environment of the play. Relatively essential female characters are thought about secondary to undistinguished male characters, such as Graziano, Brabantio’s kinsman. This carries out the idea that females are victims due to the fact that of the male controlled social conditioning. So, the lack of female characters reveals the social climate throughout the times of Elizabethan society. Second of all, the representation of female suffering in Othello displays the low and marginalised area they posses on the social ranking. Kinds of female suffering within the story are all caused by males. The social condition in the story appears that males can do whatever they want without an ideal punishment, such as death. Meanwhile women can’t perform an action that can be considered as offending in the eyes of their partner or another male with no (deathly) effects.

This is displayed in the killing of Desdemona, who was accused of betraying, with no evidence and the killing of Emila who was not encouraging of the dishonesty of her partner. The repercussions of offending acts are totally various for male characters, such as Iago, who has actually been dishonest and evil throughout the whole story. Contributing to that, Cassio hasn’t dealt with any penalties either, while being a “womanizer” in the story. Even when facing death the female characters still imitate they are subordinate to their partners, as can be seen in the scenes of the deaths of both Desdemona and Emilia. Emilia sings a song about forsaken fans and Desdemona doesn’t want to confess she has been wounded by Othello and states that she injured herself. In conclusion, Shakespeare wished to represent the low spot of women on the social ranking, by including female suffering into the story. Finally, sexual possession is a central problem within the play asserting the sexual dominance of males. Men are put as the active and main initiator of sexual exertions. Even females who have hubbies and fathers in powerful positions are still thought about by Iago to be woman of the streets and objects. This can be seen in the second setting of Othello, which is the island of Cyprus. If a females does an attempt to have any sexual contact she is frequently identified in unclompentary terms.

Iago, the character with the most misogynistic attitude states in the very first scene to Desdemona and Emilia “You increase to play and go to bed to work.” This reveals the oppressive attitude towards ladies. Marital relationship is described as an act of “purchase”: a female is purchased by her husband, successfully as a favour, and is expected to fulfil his sexual desires in return for the opportunity. The sensations of female characters, such as Desdemona and Emilia are totally ignored in the story. The ladies are simply objects to further fulfill male desires. Iago is a severe example, he shows, through his thinking, the reality that females, in both Elizabethan and Venetian society, are sensed as ownerships, secondary to the desires of males. In conclusion, Othello is linked to the abstract expectations of Shakespeare’s Elizabethan society and the patriarchal society that he develops by the lack of representation that is given to females in the book, the representation of female suffering and sexual indiscrimination and possession. The play consists of just 3 female characters: Desdemona, Emilia and Bianca. Relatively important female characters are considered secondary to undistinguished male characters.

Forms of female suffering within the story is all brought on by males. The social condition in the story appears that guys can do whatever they want without an appropriate punishment, such as death. Meanwhile women can’t perform an action that can be thought about as offensive. Sexual promiscuity and belongings is a central concern within the play asserting the sexual dominance of guys. Even ladies who have spouses and fathers in effective positions are still considered by Iago to be prostitutes and objects. We can find that the women characters are presented according to the expectation of the Elizabethan society.

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