Othello as an Outsider
In Shakespeare’s play “Othello” the character Othello exists as an outsider to the occasions that are occurring amongst the other characters. He was excluded from what the truth holds and this triggered his failure, together with his jealous nature and stubbornness. To make things worse Iago’s shrewd strategies captures Othello into a downward spiral to his defeat. The sense of irony involved is considered an extremely important technique that is duplicated through out the play. As a persistent and definitive male he was unable to determine from wicked and excellent.
His extreme envious nature is a substantial character trait in which plays a big roll in Othello’s actions. Othello exists as an outsider to the events that take place throughout the play, this causes the drama and increased irony within the play. He is uninformed of the conversations and relationships that are taking place in between other characters such as Desdemona and Cassio. Being unconcerned towards the reality and having an insecure nature he jumped to conclusion without trying to sort out complications.
His insecurities lead him to just rely on the one and only “honest” Iago, without understanding he is relying on the incorrect individual he was manipulated. Due to the truth that Othello just believed in his “truthful” Iago he was unable to make decisions that weren’t biased from the rumors which Iago persuaded was true. Othello as an outsider featured troubles due to the lack of trust he had with Desdemona, the lack of trust originated from the inadequate amount of interaction they had with each other.
He positioned a small amount of trust into his own spouse compared to the trust he had give to “truthful” Iago. This might have been due to his lack of communication with women throughout his military disputes. The absence of understanding of communication may have made it difficult for him to interact with his partner. He may have discovered to never ever rely on a lady in military situations but discovered it difficult to adjust into home situations. A fatal flaw that Othello had was the envious nature in which he had.
His high quantity jealousy made it practical for Iago to manipulate Othello through his shrewd words “beware, my lord, of envious: it is the green eyed beast”. Although he appears to be persuading Othello to be knowledgeable about jealousy he covertly wants Othello to turn envious. By saying this it highlights the dramatic irony in which Iago challenges to ruin Othello’s success. His jealous nature and with the ocular proof prior to him he could not withstand from preparing his other half’s death “I’ll not expostulate with her, let her body and charm unprovide my mind again”.
This suffices to recommend Othello is a very persistent and decisive man that does not liked to be questioned. Similar to a General he will take responsibility for his actions and for his female. His judgment and accusation that he made was unreasonable and he refused to listen to her describe to “unprovide my mind again”. Othello has a consistent fear for his track record that has actually been put into jeopardy by his wife. As a General he is highly related to and if anybody were to find out of this cuckold he would be shamed in front of his army.
In Act 2 Scene 3 Cassio foreshadowed Othello in the lost of his credibility, “I have lost the immortal part of myself”. The loss of reputation is seen as loosing a part of one’s self, Cassio was not able to bear the repercussion of losing face in front of his basic. He repeats the word track record to emphasise the significance of his credibility in which he has actually lost. After the death of his wife in Act 5 Scene 2 he feels the pity in “one that enjoyed not wisely, but too well”. Othello confesses his weak point as an envious guy, which led him to kill himself from the fact of his actions.
The trafficking of humans from Africa to western nations was highly typical in the time of Othello’s leadership of his males. This is a crucial point in which assesses the idea of Othello as an outsider. Othello as an Arabian Moor was a servant in his previous years “And sold to slavery”, this might have triggered his low self-esteem and unconfident image. In Elizabethan times society’s attitudes towards Moors and various races were frequently really bad. It was clear that Moors like Othello were not welcome to a location in the Elizabethan social order.
Shakespeare’s audience would have seen Othello and Desdemona’s marital relationship as an outrage. It would have triggered the audience to view this as uncommon because he is a black man. Others around him might have been envious of his success like Iago, it was excessive for him to accept which led him to feel the need to destroy Othello. Brabantio was too embarrassed of his child’s decision to wed a Moor. It was viewed as an unjustified action, Brabrantio’s reaction towards the marriage was very bad. This concern relates back to the theme of credibility and loss of face amount colleagues.
Brabantio had actually lost face in front of the Duke and all the Senators of the State due to the fact that of Desdemona. “Want to her, Moor, if thou hast eyes to see: She has actually tricked her dad and might thee”, Brabantio is foreshadowing the factor of Othello’s downfall. As an Arabian Othello was uninformed of Venetian customizeds and customs. This played a huge part in the play because of the unpredictabilities Othello had for his spouse and himself. The uncertainties lead to a low self-esteem and understanding about his other half, without understanding of Venetian women it was hard for him to understand Desdemona.
Through out the play Othello as in outsider had unfair stereotypes put upon him, this showed to be an obstacle for him. There was a consistent worry of his reputation at stake, it was possible that he did not want to stay a servant for the Venetians. Shakespeare’s use of a black guy as a main character of the play, this recommends that he disagrees with the stereotyped white guy as the exceptional character. If Othello was not an outsider he may have been the superior lead character of the play and there would not have been a downfall in his success.