It appears captivating that an interesting and smart character in a play, would be the bad guy, such is the case in Othello. In the beginning Iago appears to be unprovoked. However, the inspiration behind his actions lies more in Iago’s mission for individual gain, rather than just being ominous. Iago’s covetousness can be confirmed by analyzing his control of Cassio, Roderigo and most notably, Othello. Shakespeare explores universal concepts throughout the play through the characterization of Iago to bring to the fore the complexities of humanity and the duality of male.
Shakespeare uses the characterization of Iago to stimulate lots of feelings from the audience; this is composed through components of theatre and literary discourse. Othello was embeded in the Elizabethan period for that reason the audiences action would be very various in contrast to today’s society due to changes in areas such as values and mindsets. However, what stays consistent across time are our feelings towards the play, they alter with the storyline, yet throughout, it requires a deep repulsion for the bad guy Iago. Iago is the epitome of sincerity.
Sincerity is the most constantly reiterated idea checked out in Shakespeare’s Othello and is utilized to reinforce to the audience what happens when you go searching for dishonesty. This is communicated consistently throughout Othello through using repeating and significant irony. Shakespeare resolves the concern of honesty, deceit and treachery through the use of repetition of “truthful Iago”; the characters do not seem to discover Iago’s dishonesty. On the contrary, they applaud him for being so sincere. Short dramatic exclamatory sentences such as “o monstrous, monstrous! are used to emphasise Othello’s lack of control and the power Iago has through making use of prose, reflecting the darker more sinister aspects of his discussion. Othello’s deadly defect and weak point lies in his hubris. It is due to his fascination with his pride, his self-confidence and his self image which causes his loss of self control and his fall from a position of control. The climax occurs at the end of Act 3, this is symbolically represented in the phase instructions He kneels to emphasise Iago’s powerful capability to bring the downfall of the as soon as high stature and well appreciated male, Othello.
Iago is not questioned ever of his honesty towards Othello, unlike Desdemona who is continually, that even though he still loves Desdemona he will still just believe what a male says over his wife “why? what art thou? “. This produces to the audience the Elizabethan era in which the Venetian society males held all the power and females were thought about to be of low intelligence, For that reason we find it an obstacle to accept the patriarchal society today as it seems unjust and unjust, where as the Elizabethan audience might react to play quite in a different way.
Due to the modifications in worths and mindsets, the idea that it’s Desdemona’s fait to be unfaithful is extensively accepted by the Elizabethan audiences, and therefore, she should pay her fortune. Jealousy and a large desire for revenge make it possible for Iago to trap Othello in a web full of lies and deceit. It is through this that Shakespeare enables us to feel empathy for Othello when his extreme, yet falsely founded jealousy triggers him to lose his mind and also his wife.
Iago masters treachery, even saying himself “I am not what I am”. In various soliloquies he provides conclusive motives for his revengeful desires, in his first soliloquy he mentions “Hell and night/ Should bring this monstrous birth to the worlds light”. Shakespeare’s uses the image of a beast being born as a metaphor for the start of Iago’s wicked plot and develops terrific irony and dramatic tension for the audience to emphasise the increasing action, established through making use of rhyming couplets and images.
Shakespeare’s usage of imagery relating to toxin often occur and are predominately made through the characterization of Iago. This appears appropriate for Iago as he exhibits the characteristics of poison. This overpowering jealousy and vengeance is so fantastic it “doth, like a harmful mineral, gnaw his inwards”. Iago’s use of convincing and emotive language is a primary weapon in controling Othello’s thoughts and actions, stressing Othello’s gullibility. “My medication, work!
Hence credulous fool are captured” It is since of Othello’s awful flaws, that is his egocentric nature and his alienation in society enables Iago to so easily control him and weave him into a web. This permits the audiences action to develop tension and significant reaction as we concern comprehend how gullible man can be. If one checks out Othello, they can pertain to the conclusion that it may be among the most terrible plays ever composed by Shakespeare. It is a disaster which stimulates pity and terror in the audience; catharsis presents something the udience can not avoid and it through Shakespeare’s sustaining power of characterization at the end we feel a minor satisfaction that Iago’s strategy was revealed, yet our feelings are overwhelmingly depressing since Othello and Desdemona both died. We have the ability to pertain to an understanding regarding what is constant in human behaviour, how our behaviour determines our identity and how it is emphasised through universal morals and values to question how gullible we can be and that the duality of mankind lives, for that reason Iago does not pass away.