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Othello Freedom Essay

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Othello Liberty Essay

Othello’s Terrible Fall A Shakespearean terrible hero becomes terrible through a series of events, which change him for the even worse. This character must follow a certain pattern, beginning with total control, the introduction of a fatal flaw, the loss of reason or some other valuable product due to the flaw, enlightenment of the hero’s actions, and dramatic irony, which should be felt after the hero’s demise. In Shakespeare’s pitiful play, Othello, Othello is undoubtedly a terrible hero through his qualities at the start of the play, his terrible flaw, and ultimately, his ascension to knowledge prior to his death.

At the start of the play, Othello is a man of supremacy, articulacy, and valor; these characteristics are common in a Shakespearian awful hero. For example, his convincing character is seen after being confronted by Brabantio, Othello reveals his power by reacting, “Hold your hands, both of you of my inclining and the rest. Were it my cue to fight, I ought to have known it without a prompter” (1. 2. 80-83). Othello’s leadership shows increasingly here due to the fact that he takes control of a situation that could have quickly gotten out of hand.

His ability to control any scenario shows how aggressive he can be; that, in turn, is another example of a brave quality. Another important characteristic is his eloquence, and is seen when Brabantio confronts Othello about his elopement with Brabantio’s child, Desdemona; Brabantio has a group of his guys discover Othello and try a fight, however Othello just says, “Keep up your intense swords, for the dew will rust them” (1. 2. 9). Even during a moment of confusion and intensity, Othello keeps his level head and persuades Brabantio that a fight is reckless, avoiding any serious conflict.

Othello’s articulacy shows that he is a well balanced and sane person at the beginning of the play. Another of Othello’s heroic qualities is his guts in himself, “Not I; I must be found/ My parts, my title, and my best soul/ Shall manifest me rightly.” (1. 2. 30-33). This shows Othello’s guts in himself, as his benefits, his position as general of the Venetian army and his clear conscience in his marriage to Desdemona reveal that he has no factor to hide anything or lie. Othello is a strong character, and his ability to be truthful and honest is another example of Othello’s brave qualities.

The idea behind a terrible hero is he must, at the start, be simply a worthy hero; Othello fits this description, not just since he is significant, powerful, and honorable, however also since he is also rational and balanced in the actions he makes in the first act. Othello should have an awful flaw to be considered an awful hero; while a lot of Shakespearean tragic defects lies within their pride, Othello’s insecurity about his looks, capability to speak eloquently and Desdemona’s love in him, which is a simply a reflection of his own issues.

For example, his insecurity is seen when he states, “Haply for I am black,/ And have not those pulps of conversation/ That chamberers have; or for I am decreased/ Into the vale of years.” (3. 3. 267-270). Through his own doubt, Othello reveals his insecurity and becomes uncertain of how to hold himself in arguments. Othello believes that he is less of a male than others due to the fact that he is black. Another example of Othello’s insecurity is in Desdemona. This is revealed when he states,” [T] o be when in doubt/ Is once to be fixed” (3. 3. 183– 184). Othello becomes aware of Desdemona’s ‘extramarital relations’, and after that becomes persuaded that she does not like him.

Nevertheless, this is not a bad reflection on Desdemona, this is shows he questions his security of Desdemona’s love. The final example of Othello’s insecurity is seen when he doubts his own position in the army, “Where a deadly and a turbaned Turk/ Beat a Venetian and traduced the state” (5. 2. 351-352) At the closing of the play, Othello compares himself to a Turk, as an opponent of Venice. This has varied, due to the fact that, to some level, he constantly believed he was an important part of the army, and shows his low opinion of himself. Othello’s hamartia causes his unfavorable view of himself, and ultimately his own death

One of the final steps in Othello’s change to ending up being an awful hero his ascension to enlightenment; in this case, Othello realizes his mistake. The first example is represented after Iago’s confession, Othello states, “Are there no stones in heaven/ But what serve for the thunder? Valuable villain!” (5. 2. 234-235). Othello curses Iago to be struck down by lightning, which reveals a difference from Othello’s respect of Iago at the beginning. Othello realizes his mistake, albeit he is too late to conserve Desdemona. Another example of Othello’s knowledge is described when he says, “Why, anything. A respectable killer, if you will,/ For naught I did in hate, however all in honor.” (5. 2307-309). After all that has actually occurred, Othello confesses here that what he did, he did out of honor. He reveals here that he still thinks he eliminated lady he enjoyed out of honor. The final example of Othello’s modification is seen at the end, says, “Then need to you speak/ Of one that loved not wisely, however too well./ Of one not easily envious, however being wrought,/ Perplexed in the extreme.” (5. 2. 360-364). Othello comprehends what he has done, and he asks everybody to speak kindly of him because he did not like with wisdom, however he did love.

He eliminates himself right after he completes the monologue, however this shows that he has fully accepted what he has actually done and believes the only method to redeem himself is by taking an eye for an eye. Othello’s unexpected and sadistic improvement in Act 5 shows Othello a terrible hero. The relative styles that Shakespeare utilizes can still be used to everyday life. Jealousy and the imbalance of the characters show that everyone can be felled by a hamartia. Othello’s imbalance throughout the play Othello, is the main theme that Shakespeare attempts to resolve throughout the play.

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