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Possible Othello Coursework Questions

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Possible Othello Coursework Questions

———————————Othello Possible Coursework Questions 1. Discuss Shakespeare’s presentation of Othello as a terrible hero. 2. Some commentators have actually claimed that the character of Othello is not admirable enough to be an awful hero. Take a look at 2 or 3 key episodes in the play and talk about whether you concur with this perspective. 3. Desdemona is sometimes played as a passive sacrificial victim at other times she is portrayed as a more active and self-willed character. Write about how Shakespeare provides her character and consider her function in the advancement of the tragedy. 4

. To what extent does Shakespeare present Othello as a separated awful hero in Act 4, Scene 1? 5. To what degree does Shakespeare present Othello as a terrible victim in Act 5, Scene 2? 6. Read Iago’s soliloquy’Hence do I ever make my fool my handbag ‘in Act 1, Scene 3. Using this as a beginning point, think about how Shakespeare makes sure that the audience of Othello is amazed by the skill of Iago as a tragic villain? 7. To what extent is Iago presented by Shakespeare as a terrible villain without any redeeming features? Focus your discussion on a close exploration of

2 or three episodes in the play. 8.’Tragedy is the art kind produced to face the most challenging experiences we deal with: death, loss, oppression, warded off enthusiasm, anguish ‘(Wallace)How does Shakespeare provide these terrible aspects within Othello. 9. Consider the significance of the minor characters in developing the disaster of Othello. 10. Determine two different critical views on an element of the Shakespeare catastrophe you are studying. Negotiate a title with your instructor that enables you to consider these views and use your own analysis. 11. How are aspects of disorder established in Othello? 12. The disorder of society is matched

by the mental disorder of the terrible hero. To what degree is this true of Othello? 13. How important is vengeance as a motivating factor in Othello? 14. Many definitions of catastrophe claim that at the end of the play positives have emerged. Is it possible to see anything favorable in the ending of Othello? 15. It is vital to the advancement of the play’s terrible circumstance that Othello, Iago and Cassio are soldiers. ‘How far do you agree with this view? In your response you need to talk about character and motives, narrative advancement and setting. You must also show an awareness of Shakespearean catastrophe. 16. How far do you agree with F. R. Leavis’ view that ‘Othello is too foolish to be considered a terrible hero’? 17.’Othello is the tale of a gullible hero deceived by a melodramatic bad guy.’Is this an appropriate description of the play? 18. The genuine catastrophe of the play is that Othello shows that the world actually is as Iago sees it. ‘Explore this claim and state how far you agree with it. 19. Advise yourself of the events of Act I. In what ways does Act I prepare the audience for what is to follow? Take a look at themes, images, language, character and relationships. 20. To what extent does completion of Othello provide a sense of redemption? 21. The director Jonathan Miller has declared that Othello’s colour is not important to the tragedy of the play. How crucial do you feel it is that Othello is a Moor?

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