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The theme of duality in “Fahrenheit 451”

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The style of duality in “Fahrenheit 451”

The book “Fahrenheit 451” by Ray Bradbury is an incredibly powerful novel. It speaks volumes about the nature of human society, and how it behaves under the scenarios of a bleak dystopia. In achieving this, Bradbury pushes the theme of duality via the particular instances of Montag, the destruction of the city, and the Phoenix. He does this so he can illustrate plainly the duality of how creation can be obtained even in the wake of utter destruction.

Man Montag is the anti-hero of the story; he is a Firefighter in the dystopian city, whose job is to burn books. Montag’s initial devastating nature is made apparent by the fact that he took great pleasure in burning books. Even from the beginning of the book, when the very first thing written is “It was an enjoyment to burn”, the nature of Montag is made really obvious. The duality of this situation develops when, after Montag witnesses an old lady devote suicide to secure her books, he begins to take and conceal books. He does this due to the fact that he seeks answers, answers to uestions like why individuals like the old lady do what they do, and why anxiety overwhelms and haunts him. Montag’s innovative nature in stealing books is made even more apparent when it is described in the novel, by means of the quote “So it was the hand that began all of it”, that he takes the books unconsciously, without even considering it. Montag’s preliminary love for burning books, however later on love for concealing them, plainly illustrates the duality of production developing from destruction. Moving on, another instance within the novel that shows the duality of development oming from destruction is when the city is damaged in the Great War by bomber jets. Throughout the novel, it is discussed occasionally that jets fly over the city typically, hinting at a coming war. This fact ultimately manifests itself when, at the end of the unique, the city is finally destroyed by bombers jets. At this moment in time, Montag is not in the city, he’s with a group of homeless intellectuals and scholars who have actually made it their objective in life to protect books for when mankind will one day, require them again. Right after the city is ruined in an excellent xplosion, the group considers that it is time to return to society. In the quote, “We’ll eat. Then we’ll reverse and walk upstream. They’ll require us that way.” it is made obvious that the group plans to go back to the city to help the survivors rebuild society. The duality here is that even in the wake of damage, not only from the war, however also from the toxic nature of society that initially cast these homeless intellectuals out, the group still considers it necessary to return and assist them rebuild, multiplying the concept of creation originating from damage.

The final instance in the book that serves to aid the development of the style of duality in the book is a bit more blatant. This instance takes places when Montag is exchanging discussion with the leader of the group of intellectuals, Granger. In their talk, Granger enters into depth about the nature of the Phoenix. According to Encyclopedia Britannica, the Phoenix was a mythological bird that roamed the deserts of Egypt and at the end of its life, killed itself in an excellent blaze, but was born-again in the ashes. Granger describes all this to Montag, and muses about ow the Phoenix acted as a great symbol for the whole ordeal they needed to face. He describes how mankind has time and time again, damaged itself in terrific blazes. This time the blaze was a great war. He then goes on to say that regardless of this self-destructive nature; humankind is born-again each time in the ashes, emerging more powerful. This last discussion in between Montag and Granger at the end of the book, drives house the duality of how production can emerge from destruction, and shoves it into the face of the reader, in case they missed the 2 abovementioned circumstances during heir reading. In conclusion it can be deduced that in the unique “Fahrenheit 451” by Ray Bradbury, the style of duality is pressed, however more particularly it is pressed how even in the face of utter damage, development can be derived and proliferated. It is likewise obvious, from easy reduction, that the author, Bradbury, attains in correctly and powerfully illustrating the abovementioned theme just because he handled to properly utilize the character Montag, the occasion of the city being ruined, and the idea of the mythological Phoenix.

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