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Things Fall Apart Tragic Hero

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Things Fall Apart Terrible Hero

The role of a tragic hero within a story line is essential in a dramatic movie or composed work. The hero has the standards of becoming an excellent character that can take charge of the story through courageous action and vibrant discussion. However, because the character is considered a “tragic” hero, his defects will eventually be his failure, normally resulting in the characters own death. No place is this perfect of an awful hero more relevant that in Chinua Achebe’s novel Things Fall Apart. The story is embeded in late nineteenth-century in a small village in Nigeria. The terrible hero in this case is a young man called Okonkwo.

He is a vibrant growing character but is doomed from the start of the story with 2 significant defects that in the end will damage his character. Okonkwo can not physically show any of his emotions since he thinks it is a sure indication of weakness. His second flaw is that if and when he does reveal any emotion, it is an unmanageable rage. Both of these defects will get Okonkwo into problem that he can not deal with. Okonkwo has actually been taught from a really young age that showing his feelings is a feminine particular, an indication of weak point within his culture.

This is brought about because when Okonkwo was a kid his dad was not very involved with the community or with the elder counsel. The neighborhood is the most essential element of daily life for Okonkwo’s individuals. The town does not have a centralized federal government, however it is does have democratic judgment through the older males (Ohadike xxii). Considering that Okonkwo’s daddy was lazy and consumed too much, he did not get any regard from most of the neighborhood. Okonkwo did not desire this for himself so he always showed a tough exterior so that he could have regard. This characteristic is clearly revealed throughout the story.

One such example is when Okonkwo ends up being extremely fond of a young boy that remains in his care. Even though he likes the young boy, Ikemefuna, he still treated him “as he dealt with everyone else– with a heavy hand” (Achebe 20). Even to a person who was considered part of his own family, he might not show the feeling of love or stylish attention. In addition to not being able to reveal any true feelings, Okonkwo has problem controlling his mood. His anger and rough treatment of everybody around him, particularly his wives, when again springs from the truth that his father was segregated from the community.

Also, his short-temper towards his other halves might have been fueled by the reality that women were underneath males within the village’s social ranking. Okonkwo believes that the only method he can gain the village’s respect is through being vibrant and strong. It was also really crucial to reveal strength throughout this time of need due to the fact that there was much change going on in the community itself with the coming of the white man and brand-new traditions. He needs to absolutely display only anger and strength “when the organizations he had actually battled so difficult to sustain collapse in the face of European colonialism” (Gikandi x).

The most infamous scene of Okonkwo’s unreasonable anger and lack of respect is when he beats his other half for not preparing the meal for their kids during the Week of Peace (Achebe 21). This is simply a single case of Okonkwo beating among his other halves, but the village punishes him more badly since it is during their Week of Peace in which everybody need to be nice and kind to their next-door neighbor. The town was shocked due to the fact that no one ever breaks the rules of that week. “Even the earliest males might just keep in mind a couple of other events someplace in the dim past” (Achebe 22).

Another instance where Okonkwo’s disorderly behavior takes control of his actions is when he eliminates the kid he loved, Ikemefuna. Okonkwo’s clansmen are assaulting the kid, so Ikemefuna runs to seek aid from Okonkwo. Nevertheless, considering that Okonkwo “does not wish to look weak in front of his fellow tribesmen, [he] cuts the kid down” (Ward 1). He lets his rage and pride take control of and kills the kid whom he considered his own child. The attributes of a terrible hero are clearly visible within Okonkwo. If his suitables prevailed in somebody throughout this day and age in the United States, it would be quite intriguing.

It is nearly shocking to state, however someone with those qualities would be very effective in the competitive and fast-pace market of the United States. They could organize their company career in addition to not giving in pressure due to the lack of physical emotions. Okonkwo’s manners are instinctual in a lot of people, no matter how primitive or contemporary. Wall Street brokers and fast-talking business people can be compared to primitive African guys whose mindsets have actually “been masculine-based even before the arrival of the white man” (Mezu 1).

In a nation based upon the powerful business principles of “only the strong make it through,” there is no doubt Okonkwo might make it far. It can be quickly concluded that Okonkwo’s flaws were the leading methods of his character’s destruction. His absence of emotions and uncontainable anger were guaranteed components for the degeneration of his character. However, the meaning in Chinua Achebe’s novel Things Fall Apart would have been lost without Okonkwo as the dominant character. The tragic hero is still and always will be the steady character of any deeply meaningful legendary novel or movie.

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